nice price deal !!! includes brizi & nos vs. vignaroli & moko club mix, cucchia remix, spencer & hill remix and a special moko acid dub.

2nd album by raw british indie-rockers eight legs, straight out of stratford-upon-avon!

chris liberator the acid techno legend and workaholic dj teams up with the amazing sterling moss racetrax records for another collaboration to go with their bored of minimal recent release for stay up forever. this release for chris and aaron liberators cluster label kicks like a mule with three very different styled tracks. first up dirt box is a funky builder that grabs you by the neither regions and doesnt let go. a riotous attack after the breakdown will send all doubters packing. x hale has a classic cluster sound, fat bass drum and sinister riff combine to deliver a quick killing poison. finally jammy dodger is a looping techno workout for the heavy mixing dj.

stephen hellm is back on k-records with a brand new release called “taste”, without a doubt a perfect title that really says it all. in the original version you get carried away by a dreamy melody and very subtle nature sounds in the background. listen to it at home lying in bed, or float above the dance floor in your favorite club. this is a multipurpose track.robert babicz has taken the remix side for his account. with some extra punch, a pulsating acid line, a sharp synth and even a piano riff, the master himself made it a real dance floor killer.

hard ton is a very welcome new addition to the dissident clan, and yet another old school analogue kit freak. time to jack is raw acid business that breaks into falsetto vocals half way thru before diving back into jacking analogue territory. a sure-fire winner for summer. marilyn is lush deep and dreamy dance-pop full of vocal hooks and sublime synth textures, perfect for the end of night and late morning sets

itÆs been a couple of years since victim last released a full 12, but just like the buses you wait that long and then two come along at once. for victim, the >off piste< 12 follows hot on the heels of their split 12 with jerome hill & dont recordings. in the case of ben pest, they are coming thick and fast at the moment, with a recent release on lukes angers bonus round label, and an upcoming 12 on the seriously deranged panic bridge label. so, all in all a busy few months. as for the tracks, they all share in common a seriously weighty bottom end, and a tendency for crunchy acidic midsàbut that is kinda where the similarities end, as ben takes the opportunity to explore various avenues off the main street of techno. from the stomping acid workout of >zeedonk< to the more electro-influenced beats of >pain n gain< this is a record that covers a fair few bases (basses?), although all with the aim of thrilling a crowd that enjoys their techno on the gnarly side.

new artists on bombay, chicagos j & j soultempo come with a strong gospel influenced late night slammer for the dance floor. featuring vocals from the renowned terry moore combined with the soulful chicago acid house production of j & j soultempo, this release has a real early nineties murk style deep house sound with modern production. jason ferguson jaycee and jere mcalllister are emerging from a strong community of the new generation of producers and musicians based in chicago that will be turning heads in this genre. some kinda good agrees with the new york vibey heads as well as the chicago and detroit kids with powerful vocals and lyrics jelled with an infectious dirty groove and smooth pads, pure classic house.

bodycode reveals tight, jacking rhythms and romantic dancefloor universalism. on baby fords remix of >what did you say?<, the legendary uk acid-house pioneer drags the tempo down to a crawl and beefs up the bass, giving the track the distant, slo-mo feel of walking underwater

solid 4-tracker of high quality underground techno - made by solid decay!

feedback:
leandro gamez (spain): i just like putoxic from the release, but i must say is a cool hypnotic track.
ray kajioka (kanzleramt, berlin):it s not my way... but... just like the lake acid
al redmond (the phonic express, ireland):this is a proper underground ep. putoxic was played by me on friday night at a warehouse party in ireland. i literally had about 25 people come up and ask me what was the name of this record. i will be playing it on my radio show next week too.
andre kronert / neurotron (night drive music, ostwind, session deluxe, 616 detroit):i love a1. its sooo deep and grooving and has this nice oldschool feel. great one. support support support!

the debut release from steve summers. three amazing raw and unpolished chicago tracks. shake the house is a magic track that has been recorded on an old analogue tape recorder (hence the noise). stereotype acid that sounds like a early 808 state jam or a guy called gerald. messages from the past and waves are genuine old chicago house tracks. two tracks that are essential for everyone enjoying old joe lewis and fingers inc releases. crazy low-fi tracks that are just a lot of fun! we couldnt stop playing this in the office... cant wait to play it from nice shiny black wax!

after the very well recieved >hells bells< & >headbangin< 12 inches, which got revievewed as record of the month in raveline magazine, its time for a new 12 inch by miss djax. >gunslinger< is a true hardtechno stomper with a very classic whistle from everybodies favorite western movie. on the b side we find a rave influenced techno track containing classic acid noises and spiced up by the vocals of dj rush. another brilliant peaktime record that will for sure burn the dancefloor. already supported by dj rush, bold and frank kvitta and more.

abusing our soft side for dub edgar 9000 gave us these compelling tracks.>play me minus three (patience vs. epiphany mix)< û what starts like a nicely arranged minimal tune bubbles and billows after a short pause up to a big ride on the acid-dub-ghost-train. at the latest when the decently deployed and gated french horn pad sets in on the second half you are completely lost. not for quick peep û but beware: danger of addiction of endless playing is definitely given.meanwhile the title >hook & bait< of the b-side rather reads like the basic principle of fishing. it really sounds like the classic principle of ambient à well almost, since in this case this ambient track is drifting along itself, underlined with a straight driving and floating rhythm fed by an earthly bassline.petri heil! (as we say in krauts-country)

some would say the chicken lips label is long overdue, but lipservice is worth the wait as it promises the very best from augmented cl clan of dean meredith, andy meecham, stevie kotey and johnny spencer - a collective who have remixed just about everyone, spawned a thousand copycats and destroyed a few floors in the process. the inaugural lipservice release sees the chaps unleash zeefungk, one of their most popular and rare guises. the a-side is occupied by >robot eyes< - a splendid slice of electro-disco-funk which is vintage chicken lips. acid bass and loose drums combine with keys which progress wonderfully to create a really special piece of dancefloor tomfoolery. next up is >feast of freeks< (stevie koteys tape edit), a new edit of a track featured on the bands now-classic >extended play< album but never released as a 12inch. the bearfunk main man and all round gent delivers a tweaky, driving uptempo disco monster which climaxes in some trademark kotey madness. >robot lips< closes the packages and displays more of the guys unreal keyboard work as the groove stays steady but the hands go hyper. riddled with vintage synth work, >robot lips< is heads down business and no mistake.

spanish producer robert calvin made this electroid acid-vocoder-monster for turbo in 2004. 5 years later and it hasn t lost any of it s power yet!

selected advent deal. - this debut release on new imprint numbercult is sure to make waves, pulling no punches with this weighty production. the series hits off with a anonymous artist (which most likely is not making his debut here, judging on the production skills). the a side kicks off landlines, 11 minutes of driving deepness, an overdriven stabbing subbass and solid percussion give the track monstrous bottom end with the hypnotic lead line almost vanishing in the vastness. this could be descriped as a kind of mid 90s techno... the rawer side of basic channel or fcom. an absolute sexy monster track that keeps pushing forward and remains its funky almost dubby drive. strong! from the b side clonic is a driving mills esque x 103 ish assault, layering discordant acid lines to produce an intense and relentless track, broken only once with soaring beautiful strings. a side is essential! the b side only for the headstrong. a great start for this new label from glasgow releasing limited releases of high calibre deep techno from a dynamic collective of producers. a label grounded on the basics of techno with an open mind to the future. and what a great start. check!!!

jetzt hats mal wieder ein wenig gedauert dafür freuen wir uns umso mehr endlich den erstling des analog roland orchestra auf pastamusik präsentieren zu dürfen. und los geht es gleich mit >jacks highway< einem bewusst gezügelten , hoch energetischen und dabei in sich ruhenden minimal house-track - eben einem klassischen opener. die vokalbegleitung vermittelt ein gefühl von bewegung, der Überwindung von grenzen egal ob im club oder auf dem weg, wo immer der auch hinführt. give the zombies what they want da stellt man sich unwillkürlich die frage: >was wollen die eigentlich wirklich< (vom verzehr ihrer lebenden artgenossen mal abgesehen)? wie wärs zur abwechslung mal mit ein bisschen unterhaltung und wir liefern dazu gleich mal den soundtrack. geradlinig und mit ein paar schöne acid-schleifen verziert kann man bei der nummer bestimmt alles mögliche sitzen bleiben gehört ganz sicher nicht dazu.>diverse< name = programm, roland nicht name des künstlers. dem exemplarischen abarbeiten an seinem 303/606/909 (und wie sie alle heißen) analog-elektro-tierchen habe wir sehr gerne noch ein kleines plätzchen auf der b-seite eingerichtet. was sonst bei einer so schönen nummer...

when robots start to feel and dubby disco music is taking place, when h. r. giger meets g. moroder, it s time to present heib s attempt of >i feel love< to you. dry and smooth, passionate, warm and deep. >sound conspiracy< on the b-side starts as a simple acid track, but grows and rises to become everything else than minimal. bleeps, pads and effects pass the ether to hit your body system. forcing. 2 pieces of music without half-life. make your choice !

legowelt and m>o>s recordings joining forces? a cosmic necessity that these forces driven by deepness and beauty of house music would collide.this four-track ep takes you on a journey into mystery and beauty. the a-side opens with lovestrory sh21, a tear jerkin, eerie power bomb reminiscent of g-strings and ron trent. slompy jitt is a tense and melodic house track, uplifting and psychedelic. police 303 is a slow, sexy and warm acid track reminding of theo parish. last track on the b-side, deerdrive jx 10, unfolds slowly into a melancholic deephouse track echoing memories of marshall jefferson.

for this 4th release, we bring you the best of the best & obviously the rarest 12 inches around! a side comes up with the great zig zag from dj chaka bud originally released in 1993 and for the first time available the legendary unreleased extended sax mix (more than 10min of pure house meets jazz madness), this track was done way before st germain & all the jazzy house thang, with today minimal producers like sis or others trying to get the win formula for an ibiza anthem by just sampling a sax, this is defintely the only one you really need to have. if you need a record to bang a party, this is the right one. a cornerstone for todays timeless djs, such as luciano or villalobos. on b1 & b2, we have the all time classic from phuture we are phuture & slam!, all about drums, acid & insane vocals from 1988!

more old school / chicago flavoured acid house classic! just must have vinyl!!! decks tipp!!

>not my cat< is a brooding fusion of bubbling acid, deep bass tones and low-down jacking rhythms that treads a line between early doors groover and late night mood setter. >demons among us< is exactly the sort of cinematic-style club production that will resonate with fans of charlies work. forging together multi-textured layers of precision crafted sonics, the overall vibe is one of minimized, robotic-funk that provides the foundations for a killer shimmering melody to do its joyous damage.

this is the 5th record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997

rare electro classics fom unit moebius. this is the 4th record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997

rare unit moebius tracks on the vinyl. this is the 3rd record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997

bongard problems is classic cornish influenced breakbeat techno with squidgy roland bass and 8 bit dirt percussion. motion studies is a swingy non linear acid disco trip with moody chord backdrops and some unexpected twists and turns along the way. pixel wrap is medieval echo techno with inhuman voices that give way to a late 80s rave breakdown that builds up into something else again. excalibur is a camelot techno galloper, complete with arthurian lyrics. blank expanse is the kind of music depeche mode ought to be making if they hadnt turned into u2.

great um sampler full of rare electro tracks ... part of acid planet 92-97

the second instalment of the aprÚs vinyl series sees australian producer touch sensitive (also a member of van she) kicking things off with >body stop<, an italo disco stomper thats been at home in the fc catalogue for quite some time. recently unearthed by london based producer toby tobias in a chart of >hidden gems< it seemed only natural to ask toby to remix body stop and the result sees toby putting more space in the track, pushing it further onto the dancefloor and keeping it playful all at once. on the flip we take the uk connection a little further with leeds based producer bonar bradberry floating into cosmic territory with >fought & won< whilst toby tobias turns in some glorious tour-bus-disco on >azul blue<, guitars and acid lines sitting comfortably side by side for the ride.

after a longer gap than intended, part two of the cage & aviary remix series lands with a bang. truck are an enigma of a band, only forming when the astral alignments deem it appropriate - the next is due in 2012. cage & aviary take the brilliant vocal into proto/acid house territory with a killer bassline ready to move any dancefloor. crude vocal cut ups add to the 80s remix feel, while guitar licks, god pads, and all manner of prophet warblings come and go in a patchwork of angled sounds. sinister strings cut through at the mid way point before the superb outro vocal takes you home. for the dub, ape into jam & leo zero put their heads together and push the track into more of a dancefloor place, employing arpeggiators to keep the cut and paste elements rolling along. leo is a man of many excellent edits, productions, and remixes - watch out for an exciting new vocal project coming from him soon

dj madskillz returns with two very hot tracks on 100% pure. early plays by adam beyer, richie hawtin, 2000 and one, bart skils. in the last 20 years dj madskillz aka gertjan schonewille has worked with many leading house / techno labels such as, plus 8 records (richie hawtin), legendary djax-up beats (miss djax) and is part of classic acid house >edge of motion< together with 2000 and one in the early 90 s.

driving acid tracks!!

driving acid tracks!!

2009 witnesses the birth of a new label, a revolution of techno music interpreted by a soul contributor in the industry: wehbba. every couple of months, this label will witness collaboration productions teamed by wehbba and friends. 82 recordings will be the foundation for a new definition for techno and the ability to represent it in all shapes and aspects and make it universal. 82 recordings begins its series with wehbba s first original production on the label titled cava, this piece infused with acid vocals, extremely fat bass, and abandons of percussion glitches and tricks. modulation abuse is what stamps this track redefining technos ability to take any shape and form. a must have peaktimer! accompanying the original is marko nastic and markantonios excelling remixes. nastics monstrous bass remix intrudes a punchy beakdown

1986, chicago. jody fingers finch is 18, not yet able to gain access to all of the spaces in which his first production will soon get airplay. he saves up the cash himself and records it in the basement of staple singers member bob murphy, who prefers the moniker bm recording studio. one 8-track reel-to-reel machine, one afternoon, $200 cash. a handful of cuts are recorded, including a stripped-raw, bare-bones track jody calls jack your big booty, an undercover piéce de résistance about his friends mothers backside. another is dubbed whistle worm, a meandering, experimental ride, riddled with strange noises and staccato high hats. bob murphy is likely confused. the tracks are brutally raw, lo-fi at best

1995 debut release on dutch acid/techno label!!

already played by: h.o.s.h., dubfire, stephan bodzin, pascal feos, mihalis safras, someone else, steve lawler, helmut dubnitzky, david keno >ill is ill< is the 1st release from marquez ill on berlin s fantastique label, voltage musique. a stunning slice of minimal yet atmospheric tech-house, featuring a deep and sleek dub remix from monoroom, which manages to be both laid back and tightly funky at the same time. the b side also features a masterpiece of straight to the floor action named >komma klar< (berlin slang for get real) - already passing the acid test on the dancefloor of legendary club tresor, ace!

billy dalessandro comes around with three varied tracks ranging from dark house & outstanding electro to some kind of acid-techno. absolute convincing record.

underground classic trax is a brand new label focused on releasing original material from timeless artists. our releases will be only for djs/limited edition/color vynil no promos. for this 2nd release, we bring you some of the rarest 12 inches around. a side comes up with the amazing pfantasy club a.k.a dj pierre with never give up (circa 1988!), an amazing acid track (one of the first we guess), originally released on dancemania but we brought you the never released no vocals acid mix & obviously, it still sounds fresh & amazing today, pre techno/pre rave & whatever. essential! on a2 & b, we have one of the original house master creator (2nd wave), johnny fiasco with darkness & here i cum (unreleased extended mix) from 1995 when techno was still frightening & underground, real raw ghetto cuts that are still played on heavy rotation by real djs, they use it as secret weapons, nobody knows them really, but now you can grab it.

dj hells international deejay gigolo imprint brings the debut album release from australias kikumoto allstars: house music!!! in the spirit of the original chicago acid house of marshall jefferson, larry heard and adonis, and with the intensity of modern dance, comes kikumoto allstars aka dj/producer cam farrar.

incl remixes by tim xavier, tonx rohr and acid circus! sultans of the la warehouse sound audio injection and drumcell keep up with the sharp series of current droid releases on cell injection. already on the permanent playlists of heavy weights speedy j, adam beyer, richie hawtin, and paco osuna, droid s primary production group deliver consistancy for quality seekers. the original mix is a well paced pristine production, with super stereo percusion, and subtle space verbs building up to a smooth yet effective break down.

freaky electro & acid influenced french techno !!

fresh from a recent round of absolute killer 12s & a bestselling mix cd on their revitalized noid label, the idjuts are further cementing their purple patch in production with the launch of a no doubt sporadic, though eminently collectible and club friendly imprint. droid exists as an outlet for the boys more electronic releases, something for a little later in the evening (or morning !), a selection of tracks which apply the duos patented dub ethic to the late night world of hypnotic dancefloor secret weapons. this huge second release sees the idjuts deliver a duo of heavy, dubbed out acid trax….a 21st century nod to the early & seminal chicago acid tracks which rattled the foundations of ron hardys musicbox club and changed electronic music forever.

the duo signed to andrew friendlys gulp communications in 2008, and have released three eps worth of material, appearing in the cool cuts chart, and bringing a wide fanbase to themselves inc brodinski, kris menace, jody wisternoff, cazals, matik, virgin tears to name a few. they went on to remix a wide array of artists, from the highly blogged mystery jets remix, to la roux on kitsune revolver (emi), the bell, jupiters heroes, acid girls, revolver, franz & shape, division kent (sony), circuit freq, milke and atomizer.

nice price deal !!! this is the first in an occasional series of dissident special projects. >i was recently asked to do a remix for a brand new tune by italo legend alexander robotnick< the result was 15 minutes of 808, burbling acid bass, pro one and heavily effected chicago style spoken vocals which was deemed too long to fit on the commercially released 12 so the label (this is music - run by simian mobile disco) thought it would be a good idea to release a very limited number of 12s as a promo only. so thats what this is, a joint dissident/this is music release of a remix that wont ever be available on any other vinyl issue. limited to 200 copies, one sided

technoid broken acid to burn down any rave - and to build it up again!

3rd compilation of classic tunes by woody mcbride aka dj esp on xpdigiflex records. get your dose of acid today!

the frogs are on acid again and woody mcbride is the animal tamer!

the second release from merkur aka japasese embassy is coming. we can expect an exciting and unexpected 3 tracker which does not fit in any conventional category. gonno, tokyo based producer and dj, has graped everyones attetion with his outstanding “i don’t need competition (inkl. donnacho costello mix)” on beyond records in late winter 2008. for merkur he has designed the acid-revival track “desolation 303?,,. this track is build on a tricky chicago styled rhythm and an acid sequence which first comes slowly, later on developing an beautiful drive suitable on every dancefloor. berlin based japanese artist / label owner shingo suwa painted the tune “silver blue” with a lot of love for chords and melodic spins. maybe you can call it housemusic knocked down to a minimal attitude. “two of us” plays with warm synths on a solid base, slightly referring to the detroit deep house culture and impressing with an advanced but nevertheless solid groove

played by laurent garnier, dylan rhymes, dubfire, carl cox, mr g., stacey pullen, kyle geiger, anderson noise, steve lawler, lützenkirchen, dario zenker + many more ... the abnormal boyz were born in naples, a town with a great history in all fields of modern art and design, their music is fresh, constantly mutating, based on funky sounds, minimal bass-lines and great grooves! the group is in the record market since 2007 with successful products and tracks on the belgian sammelplatz records, globox & loose reords from italy and the amazing frankie records imprint. at the moment, the guys remixed for two german labels: kaufe musik and microtonal. a big success is expected for the latest ep, out these days, on the newborn label splitsound in cooperation with their talented friend joseph capriati. other essential cooperations: an ep and two remixes on the digital labels minibus and suara and a remix for dj emerson recently out on micro.fon 013, which is already popular on all floors, from berlin to rio de janeiro! because of the huge succes of this particular remix emerson and holgi star decided to feature them on their style rockets imprint

woody mcbride unleashes a zoo of sounds to capture our brains. evil acid frogs join rattlesnakes armed with chainsaws on their beatdriven ride into the sunset of madness. breathtaking!